Who painted breezing up
Have you ever wondered who painted Breezing Up? He was an American painter, printmaker, and printmaker who was perhaps best known for his marine subjects. Homer was one of the most important figures of nineteenth-century American art. His most famous works include Breezing Up and The Sound of a Gentle Wave. Homer’s work is considered one of the finest examples of 19th-century American art.
When was breezing up painted?
Originally titled “The Fair Wind,” Breezing up was painted in 1876. This work depicts a catboat, with three boys and a man on board, crashing through the waves in Gloucester, Massachusetts. The painting is a popular example of nineteenth-century American realism, and is one of the most beloved works of visual art.
Although not completed until 1876, this work captures the spirit of life in the United States. The National Academy of Design and Centennial International Exhibition in Philadelphia favored this work, which was eventually shortened to Breezing Up. The painting demonstrates the hopefulness and optimism of everyday Americans, as well as the spirit of American life. There is no better way to appreciate American art than purchasing a Breezing Up oil painting reproduction.
National Gallery of Art, Washington, D.C.
How much does it worth?
The popularity of this painting has helped it gain an exceptional price. Despite its simplicity, this Winslow Homer work is still a valuable investment. It captures the powerful force of nature in an evocative way.
Breezing up painting analysis
Homer started this painting with a watercolor sketch done in Gloucester, Massachusetts, and then repainted it with oils. This painting was inspired by scenes of the Massachusetts coastline. Breezing Up is considered Homer’s most iconic American work. The painting currently hangs in the National Gallery of Art in Washington, D.C.
“Breezing Up” is the second of Homer’s paintings depicting a sailing ship. This painting is a combination of both sea and seagoing voyages, and it shows the delicate balance between a sailor’s imagination and the world outside. Its compositional balance, which is dominated by shadows and details, is reminiscent of Japanese paintings. A figure sitting on the leeward side of the boat is relaxed, while another is absorbed in his thoughts. The windy environment makes him look like an Emersonian, and the painting depicts his vision as a ‘transparent eyeball.’